By Ari Howorth Arts Editor While almost all of the viewers watching the 85th Annual Academy Awards on Feb. 24 were hoping to see their favorite feature films of the year receive recognition, another lesser-known […]
By Isaac Siegemund-Broka Staff Writer After lengthy careers, many bands grow careless and, thus, create worse records. Yo La Tengo seems to mock this trend with their latest album, “Fade,” which illustrates that, despite a […]
By Jake Mahr Arts Editor Ra Ra Riot’s name says everything about the band: it produces fun and lively music that is easy to dance to. But after six years, the band’s string-based baroque pop […]
By Christoph Neumann Staff Writer After two captivating seasons, “Downton Abbey” has returned to PBS with a witty beginning to the third season that has started off faster and more engaging than its two predecessor. […]
By Dylan Fair Executive Arts Editor Although Los Angeles gangster movies have been long exhausted in Hollywood, the thought of Sean Penn portraying the notorious gangster Mickey Cohen seemed like a match made in heaven. […]
By Nikki Bordokas Staff Writer In season one of “Girls,” Lena Dunham’s character, Hannah, told her parents in the opening scene that she wanted to be the voice of a generation. With an extremely successful […]
By Zack Gill Copy Editor “Victory Lap,” the opening story of George Saunders’ latest short story collection, “Tenth of December,” opens lucidly and audaciously. Through a lyrical, cryptic stream of consciousness, Saunders enters the mind […]
We all laugh at the cheerful jokiness of “Thrift Shop,” but while Macklemore may simply be expressing his love of used clothes, he is also bashing on everything that West stands for. “Thrift Shop” has gained the popularity of a West song despite having a much different mantra: “One man’s trash, that’s another man’s come up.” “Thrift Shop” features little brand names or gold chains, yet Macklemore seems just as happy, if not happier, than West.
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Ubisoft’s “Far Cry 3,” an open-world first-person shooter, features some of the most tone-deaf, borderline-offensive storytelling in video gaming this year, as well as some baffling design decisions, while simultaneously providing the player with the best sandbox gaming experience since that of 2011’s “Skyrim.”
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To the common gallery patron, “Destroy the Picture” will be amusing based on the weirdness of its eclectic pieces alone. The collection fails, however, to incite an overall appreciation for the artwork and the technical skill. Certain works are interesting, but as a whole, the group begs the question of whether or not it actually belongs in a museum. […]
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