By Nikki Bordokas
Staff Writer

Tim Burton has drawn inspiration from the classic boy-and-his-dog relationships, as well as James Whale’s 1931 film “Frankenstein,” based off the Mary Shelley novel of the same name, to create a hysterical, yet risky, stop-motion family film, “Frankenweenie,” that exemplifies Burton’s talent as a great director.

From the start of the film, the close relationship between Victor Frankenstein (Charlie Tahan), an introverted young boy with a knack for science, and his lovable, loyal dog Sparky is obvious: Sparky is Victor’s only companion. Like many parents, Mr. Frankenstein (Martin Short) is disturbed by
Victor’s lack of friends and encourages him to play baseball, during which Sparky is hit by a car and killed.

Devastated by the loss of his only companion, Victor uses the electricity of a lightning storm to spark his dog back to life. But when his classmates learn of Sparky’s resurrection, havoc breaks out in his quiet town.

“Frankenweenie” was adapted from Burton’s 1984 short film of the same name with a new screenplay written by John August. August complements the original storyline with wit and humor, making for one of Burton’s most enjoyable films as of late.

The strong comedic value of the film supplements the beautiful storyline perfectly. Whether it is found in the innocently disturbing school children who could all be the villains in their own horror film, or the eccentric science teacher, Mr. Rzykruski (Martin Landau), whose faulty word choice and blunt accusations paint him as one of the more humorous characters in the story.

Though any audience appreciates good comedy, Burton also takes risks, most notably by producing a black and white film aimed at a younger audience. However, this decision pays off; the black and white images add to the aesthetic value of the film while also paying homage to the eeriness of the classic horror movie that inspired the film.

The interesting plotline and well-written screenplay capture the audience’s attention so much so that it forgets that the film is in black and white.
What is truly impressive about the film, though, is that unlike recent Tim Burton films of the same style, such as “Corpse Bride,” the storyline is entertaining and features compelling, relatable characters, exemplifying Burton’s talents for producing. There is an emotional connection with the characters in this film that Burton hasn’t been able to produce during the latter half of his directing career. Nonetheless, he doesn’t lose his creativity and macabre, ghoulish aesthetic, as this film is his passion project. The film equally values both aesthetics and storyline, lending to a more entertaining viewing experience.

“Frankenweenie” is Burton at his best. It is not only visually striking, but also provides a heartwarming, relatable story, confirming Burton’s ingenuity as a director and producer. “Frankweenie” is rated PG and is playing in theaters nationwide.