Ellie Shalvarjian
Staff Writer
The nineteenth century noir exhibit at The Getty Center is an intriguing and captivating installation that focuses on the use of light in post-industrial era artwork.
The French noir exhibit is a collection of paintings and drawings from various artists throughout the nineteenth century. The paintings and overall ambiance of the exhibit is engrossing and stimulating, leaving the museum-goer with a sense of wonder and curiosity towards the art era showcased.
The exhibition opened on September 9th and will carry on until May 15th. It highlights different aspects of French noir paintings such as light, shadows, and mythological creatures. The exhibit is displayed within several rooms throughout the west pavilion at The Getty Center.
The art is intricate and captivating, leaving the visitor engrossed and eager see more of the art. Many pieces of the art have incorporated aspects of mythological creatures and fantasy which creates a sense of mystery surrounding the paintings, enhancing the experience.
The visitor’s experience is also augmented due to the multiple learning tools spread throughout the exhibit. There tablets with short videos to help explain each painting and the background of the era they were painted in. There are also several magnifying glasses placed to make sure the visitor can see all of the intricate details in the artworks. These tools aid the viewer in understanding the meaning and context of the work.
Furthermore, visiting the exhibit’s rooms in numerical order can provide an even deeper appreciation for the art. This is because the rooms go in order from the different stages of the century leading to even more background on the era so the museum-goer can understand the influences that shaped each painting’s style.
While the artwork is fascinating, there seemed to be some useless explanations throughout the exhibit. One example of an unnecessary component of the installation is when they had an entire corner dedicated to the different types of charcoal used to sketch art back in the nineteenth century. These extra explanations are dull and unnecessary.
Additionally, to see every piece of artwork and get the full experience of the exhibit takes a lot of time. Without spending extra time at the exhibit, the museum-goer is unable to see the intricate details of the drawings and paintings, making the exhibit a less fulfilling experience.
Getting to the exhibit is fairly complicated since the museum-goer has to walk through multiple buildings to get to the general area of the installation. Furthermore, there are a couple of rooms that the viewer can easily miss due to their random location and small size.
While the exhibit has minor problems such as art placement and excess information, it proves to be extremely well done. A plethora of well done artwork and intricate designs makes the nineteenth century French noir exhibit engrossing and unforgettable.
The French noir exhibit opened on Sept. 9th and closes on May 15th and can be found in the Getty’s West Pavillion.
The nineteenth century noir exhibit at The Getty Center is an intriguing and captivating installation that focuses on the use of light in post-industrial era artwork.
The French noir exhibit is a collection of paintings and drawings from various artists throughout the nineteenth century. The paintings and overall experience is engrossing and stimulating, leaving the museum-goer with a sense of wonder and curiosity towards the art era showcased.
The exhibition opened on September 9th and will carry on until May 15th. It highlights different aspects of French noir paintings such as light, shadows, and mythological creatures. The exhibit is displayed within several rooms throughout the west pavilion at The Getty Center.
The art is intricate and captivating, leaving the visitor engrossed and eager to learn and see more of the art. Many pieces of the art have incorporated aspects of mythological creatures and fantasy which creates a sense of mystery surrounding the paintings, further enhancing the experience.
However, to see every piece of artwork and get the full experience of the exhibit the visitor needs to allot a fairly large amount of time to see the installation. Without the extra time, the museum-goer is unable to see the intricate details of the drawings and paintings, making the exhibit a less fulfilling experience.
The visitor’s experience is enhanced due to the multiple learning tools spread throughout the exhibit. There are a couple of tablets with short videos to help explain each painting and the background of the era they were painted in. There are also several magnifying glasses placed to make sure the visitor can see all of the intricate details on the art.
Furthermore, if the museum-goer visits the rooms that the exhibit are displayed in order then they can have an even deeper appreciation for the art. This is because the rooms go in order from the different stages of the century leading to even more background on the era so the museum-goer can understand the influences that shaped each painting’s style.
While the artwork is fascinating and there are well placed learning tools, there seemed to be some useless explanations throughout the exhibit. One example of an unnecessary component of the installation is when they had an entire corner dedicated to the different types of charcoal used to sketch art back in the nineteenth century. These extra explanations make the exhibit seem dull and unnecessary.
Getting to the exhibit is fairly complicated since the museum-goer has to walk through multiple buildings to get to the general area of the installation. Furthermore, there are a couple of rooms that the viewer can easily miss due to the random location and the small size of them. Luckily, the staff is very helpful and can help enhance the experience by helping to guide the visitor to the different places to make sure they get the full experience.
While the exhibit has minor problems such as placement and excess information, it proves to be extremely well done, captivating, and awe-inspiring. A plethora of well done artwork and intricate designs makes the nineteenth century French noir exhibit engrossing and unforgettable.
The nineteenth century French noir exhibit opened on September 9th and closes on May 15th. The exhibit is hosted at The Getty Center in the west pavilion, access is included in the normal free entrance.
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